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The Maid

After 23 years of dutiful service to the Valdes family, Raquel (Catalina Saavedra) has come to regard herself as not only a maid but a member of the family. However, her barely concealed bitterness towards her employer’s eldest da ...

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Title: The Maid
Genre: Comedy, Drama
Cast: Catalina Saavedra, Claudia Celedón, Mariana Loyola, Alejandro Goic
Release Date: 2010-08-27
Production Country: Chile, Mexico
Directed By: Sebastián Silva
Film Duration: 94
Production Year: 2009
Distributor: Artificial Eye
Official Website: http://www.themaidmovie.com/

Synopsis: After 23 years of dutiful service to the Valdes family, Raquel (Catalina Saavedra) has come to regard herself as not only a maid but a member of the family. However, her barely concealed bitterness towards her employer’s eldest daughter, and the resulting clashes between the two, lead the family to believe she is overworked. They hire more help but, feeling usurped, Raquel begins to sabotage each new employee by resorting to childish antics, in an attempt to maintain her ambiguous place within the family. In this remarkably astute second feature, Sebastian Silva questions, without prejudice, the dusty remnants of class division and the aristocratic tradition of domestic service, delivering a highly perceptive and comedic drama that brings to mind the satirical genius of Luis Bunuel.

The Maid

Title: The Maid
Genre: Comedy, Drama
Cast: Catalina Saavedra, Claudia Celedón, Mariana Loyola, Alejandro Goic
Release Date: 2010-08-27
Production Country: Chile, Mexico
Directed By: Sebastián Silva
Film Duration: 94
Production Year: 2009
Distributor: Artificial Eye
Age Limit: 0+
Official Website: http://www.themaidmovie.com/

Synopsis: After 23 years of dutiful service to the Valdes family, Raquel (Catalina Saavedra) has come to regard herself as not only a maid but a member of the family. However, her barely concealed bitterness towards her employer’s eldest daughter, and the resulting clashes between the two, lead the family to believe she is overworked. They hire more help but, feeling usurped, Raquel begins to sabotage each new employee by resorting to childish antics, in an attempt to maintain her ambiguous place within the family. In this remarkably astute second feature, Sebastian Silva questions, without prejudice, the dusty remnants of class division and the aristocratic tradition of domestic service, delivering a highly perceptive and comedic drama that brings to mind the satirical genius of Luis Bunuel.

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